Category: Wednesday’s Child

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Wednesday’s Child: Hell and a Purgatory

September must be allegory month, and fittingly one of the films now the talk of the Venice Film Festival is an offering from the Russian director Andrei Konchalovsky entitled “Dear Comrades.”  Its subject is the massacre of striking workers at Novocherkassk, a city near Rostov-on-Don, in 1962, and in fairness it ought to be said that a 2012 TV miniseries, entitled “Once Upon a Time in Rostov,” had done that subject ample justice, notwithstanding that it was made in the first year of what will enter history books as Putin’s Terror.  But Konchalovsky regards himself as an artist, and hence...

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Wednesday’s Child: Fake News

Disinformation, which we Russians lovingly nickname deza, differs from ordinary misinformation in that it is planted or spread knowingly, with malice aforethought and the intent to deceive.  This looks good on paper, until a piece of fake news is actually before us and we start mulling it over, and then what is patently a case of carelessness or even of fraudulent intent may begin to take on the configurations of a gospel truth.  That fake, after all, has not come out of nowhere. That fake is almost always a palimpsest of earlier fakes, and as one’s mind keeps burrowing deeper...

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Wednesday’s Child: Belorussian Roulette

Not a kind word for him anywhere, East or West.  They are calling him “Europe’s last dictator,” which only makes sense if neighboring Russia is a country in Asia, and every little French politician, every sniveling British journalist, every U.S. State Department flunky, and every Kremlin lackey are gloating over his political demise, which is said to be imminent. This coming Sunday, Belorussian elections may be won by a random female candidate who is capitalizing on the protest vote against the taciturn mustachioed incumbent, and I sincerely hope this grossly maligned man manages to falsify the result to stay in...