Wednesday’s Child: Hell and a Purgatory
September must be allegory month, and fittingly one of the films now the talk of the Venice Film Festival is an offering from the Russian director Andrei Konchalovsky entitled “Dear Comrades.” Its subject is the massacre of striking workers at Novocherkassk, a city near Rostov-on-Don, in 1962, and in fairness it ought to be said that a 2012 TV miniseries, entitled “Once Upon a Time in Rostov,” had done that subject ample justice, notwithstanding that it was made in the first year of what will enter history books as Putin’s Terror. But Konchalovsky regards himself as an artist, and hence...



