Westerns Episode 18: Wind River (2017)
In the final episode of our 1990-present day section, Dr. Fleming examines the Taylor Sheridan written-and-directed film Wind River. The final episode in the series will be The Long Riders.
In the final episode of our 1990-present day section, Dr. Fleming examines the Taylor Sheridan written-and-directed film Wind River. The final episode in the series will be The Long Riders.
In this episode, Dr. Fleming critiques the Denis Villeneuve-directed, Taylor Sheridan-written film Sicario, which he characterizes as a comic book take on some of the themes of Cormac McCarthy’s Blood Meridian. Homework for the next episode: Wind River.
Dr. Fleming comments on the (thankfully) only Tom Cruise film in our series, though his thoughts on it as a whole may surprise you. Homework for the next episode in the series is Sicario.
In our latest in the 1990-present day segment of this series, Dr. Fleming gives his take on the iconic 1993 Tombstone, very popular among Gen-X men. Homework for the next episode is The Last Samurai.
Dr. Fleming looks at a film adaptation of a novel that he has enjoyed and finds it wanting across the board.Homework for our next episode, 1993’s Tombstone.
In this first episode of the final era in our Westerns series (1990-present) we will look at Dances with Wolves. Does Dances represent a breakthrough in Western film or just the complete breakdown of the American mind? Homework for next meeting: Last of the Mohicans.
Dr. Fleming and Stephen discuss this worthy send-off for The Duke, and for this segment of our Westerns discussion. Your homework for next episode: Dances with Wolves.
Dr. Fleming and Stephen discuss a movie in an entirely different mode from the Man with No Name Trilogy and even High Plains Drifter and beyond: the sympathetic-to-the-Confederacy film The Outlaw Josey Wales.
In this episode Stephen and Dr Fleming agree to disagree on the good, the bad, and the ugly in perhaps Leone’s most celebrated film.
In this episode Dr Fleming comments on the interplay between John Wayne and Robert Mitchum in a Howard Hawks film of a different era.