Wednesday’s Child: Yet More Loners
Gustav Mahler once said that if the public thinks a conductor’s tempo too slow, what he ought to do is to slow it down. Such, anyway, is Wednesday’s Child’s feeble justification for persisting with the theme of the past two weeks, which is the plight of the socially anomalous child East and West. The occlusive membrane separating the home from the state, if one exists and is not ruptured by intrusion of the latter, is in most cases a good thing, indeed one of the condiciones sine quibus non of child rearing. But then, of course, there are cases when...



