Wednesday’s Child: A Leningrad Mozart
Whenever I happen to see archival footage, which is usually in biopics, of twentieth-century musical titans, composers like Rachmaninov or Britten, I have the irrepressible sensation that actually these people belong in the nineteenth century and that their moving and speaking presence in the twenty-first is a clever trick, something like the tricolor celluloid screen my grandmother attached to the giant water-filled lens in front of her black-and-white Soviet-made TV to create the illusion of it being a modern color set. The translucent screen made the top, where the sky might be in a film, seem blue, the bottom was...



