Wednesday’s Child: A Zone Too Far
I just finished watching the last episode of a fifty-episode Russian television series entitled Zone. This epic series was made ten years ago, and represents a kind of symbolic watershed in Russia’s political progress from the authoritarian horizontal of the 1990’s to the totalitarian vertical of today. To make such a production in the country’s present climate would be just about unthinkable, as witness the scandal around Zvyagintsev’s 2014 film Leviathan, acclaimed in Cannes yet politically a much weaker statement than Zone. It occurs to me that, having sunk 50 hours of my time into this situation tragedy, I may...



