Wednesday’s Child: The Truman Show of Mtsensk
Some fields of cultural endeavor are divided between two gurus, who spring to mind together like Abbott and Costello. Freud and Jung are a classic example, and when the charlatan who is taking a friend’s money isn’t a Freudian, then in all likelihood he’s a Jungian. Another such pair are the Russian directors Stanislavsky and Meyerhold, who divided twentieth-century theater between them as if it were an inherited set of silver spoons. Stanislavsky worked by induction, holding that if a certain reality is in the actor’s brain, then it will duly materialize on stage. Meyerhold held an opposite, deductive view,...



