Category: Feature

Some six months ago, at the end of March, I wrote here about the sensational case of the Ukrainian Joan of Arc, Nadezhda Savchenko – then in captivity in Moscow and undergoing a farce of a trial – who has since been exchanged for some Russian prisoners of the undeclared war and is now in Kiev.  Now, it may be that Savchenko is not the Ukrainian Joan of Arc, and that in reality she’s a war criminal, a madwoman, a villainess, a CIA agent, or even a Russian police provocateur; none of that matters in the least for making sense...

Like any massive fraud, whether successful or unsuccessful, Russia’s recent parliamentary election is an interesting subject.  Fraud, swindle, pyramid–perpetrated or operated by all sorts of impostors, flimflam artists, and snake oil salesmen–where would world literature be without them?  Thomas Mann’s Hochstapler, or confidence man, in Confessions of Felix Krull is alone worth a million real-life fraud victims. Conrad would never have written Chance, the masterwork that pulled him out of obscurity, without its central character, the swindler Smith de Barral.  Gogol would not have written Dead Souls without Chichikov, the spectre of Western monopoly capitalism in the guise of a...