Category: Fleming

Orestes puts his case to Menelaus.  His uncle owes Agamemnon for all he did in launching an expedition to regain Menelaus’ wife.  After all, Orestes is not asking Menelaus to kill his own daughter to fulfill his duty—a look back at Agamemnon’s sacrifice of his daughter Iphigenia and forward to Orestes’ plot to kidnap Hermione. In what should be a clinching argument for a normal Greek, Orestes points out that if he and Electra die, so does the line of Agamemnon.  Menelaus (682 ff) agrees—up to a point—that kinsmen should endure each others’ misfortunes/evils, but only if the god gives...

The Orestes, performed in 408, is one of Euripides’ last surviving plays–the poet died only two years later.  It was very popular in the Hellenistic and Byzantine eras, much cited and taught in schools.   It is a vivid melodrama (in the modern not the ancient sense), but it is also a profound and difficult meditation on the meaning of friendship. One caveat before I make a few remarks on the play.  Though Euripides was, in the following centuries, the most popular writer of tragedies, I have always rated him distinctly third compared with his predecessors, Aeschylus and Sophocles.  I...

This little piece was commissioned by the capitalist magazine American Enterprise, but the editors prudently wanted to eliminate any contemporary references that might encourage readers to apply Chesterton’s reasoning to US policies of imperial aggression.  The small-minded writer imprudently withdrew the piece, which was, I believe,  later published in several places.  If you have not already read it, I hope it will give some pleasure. The Napoleon of Notting Hill by G.K. Chesterton In the twentieth century you could not see the ground for clever men….And all these clever men were at work giving accounts of what would happen in...